ERIC PHLEGER GALLERY
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ABOUT CHARLES ARNOLDI
"Charles Arnoldi is very much an artist of his era and culture, and, at the same time, a singular artist with a distinctive, unique voice. From the time he assembled his first expressive, deceptively simple twig and stick paintings—soon after entering the Chouinard Art Institute and then winning the Los Angeles County Museum of Art's Young Talent Purchase Award—the driven, experimental artist never looked back."
— Sam Hunter, Professor Emeritus, Princeton University
SOLO EXHIBITIONS
2008Charles Arnoldi: Wood, The Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA (catalogue)
Charles Arnoldi: New Works, Stremmel Gallery, Reno, NV
2007Charles Arnoldi: New Works, Bentley Gallery, Scottsdale, AZ
Charles Arnoldi: Recent Works, Modernism, San Francisco, CA
Charles Arnoldi: The Arc Paintings, Charlotte Jackson Fine Art and The Charlotte Jackson Project Space, Santa Fe, NM
Charles Arnoldi: The Arc Paintings, Bobbie Greenfield Gallery, Santa Monica, CA
2006Museum of Design, Art and Architecture, Culver City, CA
Charles Arnoldi: Cut Metal Pieces, Charles Cowles Gallery, New York, NY
2005Modernism, San Francisco, CA
Charles Arnoldi: New Paintings, Charles Cowles Gallery, New York, NY
Bobbie Greenfield Gallery, Santa Monica, CA
2004Charles Arnoldi Paintings, Dwight Hackett Projects, Santa Fe, NM
Charles Arnoldi 2004 Paintings and Gouaches, Bobbie Greenfield Gallery, Santa Monica, CA
Charles Arnoldi: New Paintings, RB Stevenson Gallery, La Jolla, CA
Charles Arnoldi Recent Paintings, Imago Galleries, Palm Desert, CA
2003Charles Arnoldi, Works on Paper: A Thirty-Year Survey, 1972-2002, Bobbie Greenfield Gallery, Santa Monica, CA
Charles Arnoldi, Charles Cowles Gallery, New York, NY
Charles Arnoldi: New Works, Modernism, San Francisco, CA
2002Charles Arnoldi, Harmony of Line and Color, Busan Metropolitan Art Museum, Busan, Korea (catalogue)
2001Charles Arnoldi: Paintings, Charles Cowles Gallery, New York, NY
Charles Arnoldi: Paintings, Modernism, San Francisco, CA
2000Charles Arnoldi: Paintings, Ochi Fine Art, Ketchum, ID
Charles Arnoldi: New Paintings, Skidmore Contemporary Art, Malibu, CA
1999Charles Arnoldi: New Works, Chac-Mool Contemporary Fine Art, West Hollywood, CA
Charles Arnoldi: Painting and Sculpture, Ochi Fine Art, Ketchum, ID
Charles Arnoldi: Recent Works, Charles Cowles Gallery, New York, NY
1998New Works: Charles Arnoldi, Parchman Stremmel Galleries, San Antonio, TX
1997Charles Arnoldi Monotypes: A Survey 1987–1996, Flanders Graphics, Minneapolis, MN
Charles Arnoldi: New Paintings, Tony Shafrazi Gallery, New York, NY
Charles Arnoldi: New Work, Flanders Contemporary Art, Minneapolis, MN
1996Works on Paper: Gouaches and Monotypes, Ochi Gallery, Ketchum, ID
Charles Arnoldi: New Work, Imago Galleries, Palm Desert, CA
Charles Arnoldi, A Mid-Career Survey: 1970–1996, Fred Hoffman Fine Art,Santa Monica, CA (catalogue)
Charles Arnoldi: New Monotypes, Charles Cowles Gallery, New York, NY
1995Peter Blake Gallery, Laguna Beach, CA
1994Ochi Gallery, Ketchum, ID
Klein Art Works, Chicago, IL
Charles Cowles Gallery, New York, NY (catalogue)
1993Charles Cowles Gallery, New York, NY
Ochi Gallery, Ketchum, ID
Hampton, Venice, CA
Arthur Roger Gallery, New Orleans, LA
1992Charles Arnoldi: Paintings, Sculpture and Works on Paper, Klein Art Works, Chicago, IL
The Works Gallery South, Costa Mesa, CA
1991Gallery Kuranuki, Osaka, Japan (catalogue)
Charles Arnoldi: Oil Paintings on Canvas, Cast Bronze Sculptures, Fred Hoffman Gallery, Santa Monica, CA
Ochi Gallery, Ketchum, ID
1990Flanders Contemporary Art, Minneapolis, MN
Arthur Roger Gallery, New Orleans, LA
Michael Dunev Gallery, San Francisco, CA
Malmgran Gallery, Göteborg, Sweden
Sena Galleries West, Santa Fe, NM
1989James Corcoran Gallery, Santa Monica, CA
Charles Arnoldi: Recent Monotypes from the Garner Tullis Workshop, Pamela Auchincloss Gallery, New York, NY (catalogue)
Ochi Gallery, Sun Valley, ID
1988Klein Gallery, Chicago, IL
Richard Green Gallery, Los Angeles, CA
Charles Arnoldi: Painting and Sculpture, 1971-1988, MuseoItaloAmericano, San Francisco, CA (catalogue) Sena Galleries West, Santa Fe, NM
1987Fuller Goldeen Gallery, San Francisco, CA
James Corcoran Gallery, Santa Monica, CA
Ochi Gallery, Boise, ID
Texas Gallery, Houston, TX
Arnoldi: Just Bronze, University Art Museum, California State University, Long Beach, CA (catalogue)
Charles Cowles Gallery, New York, NY
1986New City Editions, Venice, CA
Charles Cowles Gallery, New York, NY
Pamela Auchincloss Gallery, Santa Barbara, CA
Janie Beggs Gallery, Aspen, CO
Arnoldi: Recent Paintings, University of Missouri-Kansas City Gallery of Art, Kansas City, MO (catalogue)
Charles Arnoldi, A Survey: 1971-1986, Arts Club of Chicago, Chicago, IL (catalogue)
1985Fuller Goldeen Gallery, San Francisco, CA
Thomas Babeor Gallery, La Jolla, CA
Charles Cowles Gallery, New York, NY
James Corcoran Gallery, Los Angeles, CA
1984Charles Arnoldi: Unique Prints, Los Angeles County Museum of Art, Los Angeles, CA (catalogue)
James Corcoran Gallery, Los Angeles, CA
1983Texas Gallery, Houston, TX
James Corcoran Gallery, Los Angeles, CA
1982James Corcoran Gallery, Los Angeles, CA
1981Hansen-Fuller-Goldeen Gallery, San Francisco, CA
Texas Gallery, Houston, TX
James Corcoran Gallery, Los Angeles, CA
1980James Corcoran Gallery, Los Angeles, CA
1979Texas Gallery, Houston, TX
Nicholas Wilder Gallery, Los Angeles, CA
Dobrick Gallery, Chicago, IL
Robert Elkon Gallery, New York, NY
1978Nicholas Wilder Gallery, Los Angeles, CA
Robert Elkon Gallery, New York, NY
1977Nicholas Wilder Gallery, Los Angeles, CA
Texas Gallery, Houston, TX
1976Seattle Museum of Art, Seattle, WA
1975Nicholas Wilder Gallery, Los Angeles, CA
1974Nicholas Wilder Gallery, Los Angeles, CA
1972Texas Gallery, Houston, TX
1971Riko Mizuno Gallery, Los Angeles, CA
GROUP EXHIBITIONS
2008Abstractions, Charles Cowles Gallery, New York, NY
California Dreamin’: LA to HI, Nu’uanu Gallery, Honolulu, HI
Paradigms and the Unexpected: Modern and Contemporary Art from the Shey Collection, Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL (catalogue)
A Focus on Jacksonville Collections, Museum of Contemporary Art Jacksonville, Jacksonville, FL
Between the Lines, Five Artists, William Turner Gallery, Santa Monica, CA
California in New York, Hubert Gallery, New York, NY
Las Vegas Collects, Las Vegas Art Museum, Las Vegas, NV
2007The Left Coast, Imago Galleries, Palm Desert, CA
Abstract: Gallery Selections, R.B. Stevenson Gallery, La Jolla, CA
The Eclectic Eye: Pop and Illusion – Selections from the Frederick R. Weisman Art Foundation, Colorado Springs Fine Arts Center, Colorado Springs, CO
Made in California, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA
West Coast Abstraction, Peter Blake Gallery, Laguna Beach, CA
Clear Cut: Wood Sculptures from Northwest Collections, Portland Art Museum, Portland, OR
Contemporary Cool and Collected, The Mint Museums, Charlotte, NC (catalogue)
Denatured: Work from the Anderson Collection + the Anderson Graphic Arts Collection, San Jose Museum of Art, San Jose, CA (catalogue)
California Art: Selections from the Frederick R. Weisman Art Foundation, American Jewish University, Los Angeles, CA
2006Abstract Paintings by Gallery Artists, Modernism, San Francisco, CA
L.A. Art Scene: Selected Works by Local Artists from the Frederick R. Weisman Art Foundation, Beverly Hills Municipal Gallery, Beverly Hills, CA
Breaking Out! Sculptural Explorations in Metal & Wood, Palm Springs Art Museum, Palm Springs, CA
A Piece of History, From L.A. . . . But Not in Paris, Charles Cowles Gallery, New York, NY
Driven to Abstraction: Southern California and the Non-Objective World, 1950–1980, Riverside Art Museum, Riverside, CA
2005Paint on Metal, Tucson Museum of Art, Tucson, AZ (catalogue)
Unique Works on Paper, Atelier Richard Tullis, Media Rare Gallery at Off Main, Santa Monica, CA
Off the Wall, Bobbie Greenfield Gallery, Santa Monica, CA
Inside Out: Selections from the Permanent Collection, San Jose Museum of Art, San Jose, CA
A Summer Group, Charles Cowles Gallery, New York, NY
Flow, Berman/Turner Projects, Santa Monica, CA
The First 80 Years, 1925–2005, Los Angeles Art Association/Gallery 825, Los Angeles, CA (catalogue)
California Gold, Tobey C. Moss Gallery, Los Angeles, CA
2004Peter Alexander, Charles Arnoldi and Laddie John Dill, Bakersfield Museum of Art, Bakersfield, CA
Image + Energy, Selections from the Haskell Collection, Jacksonville Museum of Modern Art, Jacksonville, FL
Cahiers d'Art: 25th Anniversary Exhibition, Modernism, San Francisco, CA
Lost But Found: Assemblage, Collage and Sculpture, 1920–2002, Norton Simon Museum, Pasadena, CA
The Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation, New Orleans Museum of Art, New Orleans, LA (catalogue)
2003Made in California: Selections from the Frederick R. Weisman Art Foundation Collection, Contemporary Arts Center, New Orleans, LA
Made in California: Selected Works/The Frederick R. Weisman Art Foundation, Todd Madigan Gallery, California State University, Bakersfield (catalogue)
Red on Red, Savannah College of Art and Design, Savannah, GA
Paper Works, Patricia Correia Gallery, Santa Monica, CA
California Artists of the Robert Elkon Gallery, The Elkon Gallery, NY
American Art: Wilfred Davis Fletcher Collection, Boise Art Museum, Boise, ID (catalogue)
2002Selected Abstract Paintings, Modernism, San Francisco, CA
Paintings and Photographs, Skidmore Contemporary Art, Malibu, CA
California Selected Works, Modernism, San Francisco, CA
The Third Dimension, Herbert Palmer Gallery, Los Angeles, CA
Contemporary American Art, Embassy of the United States of America, Vienna, Austria (catalogue)
2001Art in the Circle, Manhattan Heights Annex, Manhattan Beach, CA
Chouinard: A Living Legacy, Oceanside Museum of Art, Oceanside, CA
Underfoot, Dan Galeria, São Paulo, Brazil (traveled through Fall 2004)
2001 Collector's Show, Arkansas Arts Center, Little Rock, AR
Poetic Natures, Santa Barbara Museum of Art, Santa Barbara, CA
Recent Acquisitions of Contemporary California Works on Paper, California Palace of the Legion of Honor, San Francisco, CA
2000Eckert Fine Art, Naples, FL
On Paper: Drawings, Paintings and Collages, Skidmore Contemporary Art, Malibu, CA
Black, White and Bronze (Charles Arnoldi and Larry Bell), Palos Verdes Art Center, Rancho Palos Verdes, CA
Don Gummer / Charles Arnoldi, Eckert Fine Art, Naples, FL
Celebrating Modern Art: The Anderson Collection, San Francisco Museum of Modern Art, San Francisco, CA
An American Focus: The Anderson Graphic Arts Collection, California Palace of the Legion of Honor, San Francisco, CA
The Intuitive Eye: Selections from the Frederick R. Weisman Collection, The Fashion Institute of Design & Merchandising Museum Foundation Galleries, Los Angeles, CA
1999The Eclectic Eye: Selections from the Frederick R. Weisman Collections, California Center for the Arts, Escondido, CA
The California State Senate Contemporary California Art Collection 1998–99, State Capitol Building, Sacramento, CA
Between Reality and Abstraction: California Art at the End of the Century, Irvine Fine Arts Center, Irvine, CA
Radical Past: Contemporary Art and Music in Pasadena, 1960–1974, Armory Center for the Arts, Pasadena, CA (catalogue)
Charles Cowles Gallery, New York, NY
1998The Winter Show, Charles Cowles Gallery, New York, NY
Works on Paper, Charles Cowles Gallery, New York, NY
Contemporary Abstraction, Klein Art Works, Chicago, IL
Coastal Abstraction–Transcendence, Fine Arts Gallery, California State University, Los Angeles, CA
Gold, Skidmore Contemporary Art, Malibu, CA
Forms of Thought, William Turner Gallery, Venice, CA
Lee Mullican: His Influence and Associates, Herbert Palmer Gallery, Los Angeles, CA
Collector’s Show, The Arkansas Art Center, Little Rock, AR
Graphic Abstraction in America: A View from the First Century, University Art Museum, California State University, Long Beach, Long Beach, CA (catalogue)
1997California: State of the Art/Art of the State, Chac Mool Contemporary Fine Art, West Hollywood, CA
All Blue, Almost, Westfall Art, Newport Beach, CA
A Thought Intercepted, California Museum of Art, Santa Rosa, CA
The View from Denver, Museum of Modern Art, Vienna, Austria
Art Foundry Editions Santa Fe at Knoedler New York, Knoedler & Company, New York, NY
Collaboration/Transformation: Lithographs from the Hamilton Press, Montgomery Gallery of Pomona College, Claremont, CA
Wood Work, Fisher Landau Center, Long Island City, NY
Six L.A. Painters, Tasende Gallery, West Hollywood, CA
Household Goods, Texas Gallery, Houston, TX
Collector’s Show, The Arkansas Art Center, Little Rock, AR
1996California Color, Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska–Lincoln, Lincoln, NE
Under Glass, Sarah Moody Gallery of Art, University of Alabama, Tuscaloosa, AL
Acquiring Minds: Contemporary Art in Santa Barbara Collections, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
California Art from the Frederick R. Weisman Collections, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA
New Talent, New Ideas, Charles Cowles Gallery, New York, NY
Between Reality and Abstraction, Nevada Institute for Contemporary Art Gallery at the Cannery, Las Vegas, NV
1995U.S.A. Within Limits, Documenta, Galeria Millan, São Paulo, Brazil
Pacific-Pacific, LASCA (Los Angeles and Seoul Contemporary Arts), Los Angeles, CA; also traveled to Seoul, Korea
OPTIONS 1: Selections from the Modern and Contemporary Collections, Denver Art Museum, Denver, CO
A California Collection, Hunsaker/Schlesinger, Santa Monica, CA
Selections from the Frederick R. Weisman Collections, Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA
New Visions: Los Angeles Art in the 90s, UCLA Art Rental and Sales Gallery at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA
Charles Arnoldi/Kris Cox/Peter Lodato/Charles Christopher Hill: A Group Exhibition, William Turner Gallery, Venice, CA
Between Reality and Abstraction: California Art at the End of the Century, Art Museum of South Texas, Corpus Christi, TX (traveled through 1998)
LA Current: Works on Paper, UCLA Art Rental and Sales Gallery at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA
Assemblage & Collage, Tobey C. Moss Gallery, Los Angeles, CA
Under Glass, Charles Cowles Gallery, New York, NY
The Good, The Bad, The Ugly, The Sublime, Ochi Gallery, Ketchum, ID
1994Putting Things Together/Recent Sculpture from the Anderson Collection, Art Museum of Santa Cruz, Santa Cruz, CA
About Color, Charles Cowles Gallery, New York, NY
All Things Great But Small 4, Stremmel Gallery, Reno, NV
Big Littles, Boritzer/Gray/Hamano, Santa Monica, CA
December, Jerrold Burchman Contemporary Art, Santa Barbara, CA
Trees, Midtown Payson, New York, NY
1993Contemporary Abstraction, Klein Art Works, Chicago, IL
Prints from The Garner Tullis Workshop, The Australian Print Workshop, and the Darren Knight Gallery, Victoria, Australia
The Contemporary Museum Collects: The First Five Years 1988–1993, The Contemporary Museum, Honolulu, HI
Essentials, Charles Cowles Gallery, New York, NY
Works on Paper, Kohn Abrams Gallery, Los Angeles, CA
A New View: The Architect’s Eye, Frederick R. Weisman Art Museum, The University of Minnesota, Minneapolis, MN
1992Monotypes, Gallery Kuranuki, Osaka, Japan
Real Space: A Survey in Sculpture, The Works Gallery, Costa Mesa, CA
Inscapes, The Works Gallery, Costa Mesa, CA
Selections from the Marcia Weisman Collection, The Museum of Contemporary Art, Los Angeles, CA
Group Exhibition of Gallery Artists, Klein Art Works, Chicago, IL
The Last Picture Show: An Evolution of Works by Selected Los Angeles Artists, Gallery at the Plaza (BankAmerica Corporation Art Program), Los Angeles, CA
1991Small Drawings, Klein Art Works, Chicago, IL
The Fourth International Shoebox Sculpture Exhibition, University of Hawaii at Manoa Art Gallery, Honolulu, HI
Soho at Duke: Five Artists from Charles Cowles Gallery, Duke University Museum of Art, Durham, North Carolina (catalogue)
Visions/Revisions: Selections from the Contemporary Collection, Denver Art Museum, Denver, CO
Contemporary Abstraction, Klein Art Works, Chicago, IL
American Narrative Painting and Sculpture: The 1980s, From the Collection of the Metropolitan Museum of Art, Nassau County Museum of Art, Roslyn Harbor, NY (catalogue)
Thirty Years of the Honolulu Advertiser Gallery, 1961–1991, Contemporary Museum, Honolulu, HI
1990New Approaches, Tower Fine Arts Gallery, State University of New York College at Brockport, Brockport, NY
Monotypes from the Garner Tullis Workshop, Malmgran Gallery, Göteborg, Sweden
Artist’s Quilts, Transamerica Corporation, San Francisco, CA
Newer Sculpture, Charles Cowles Gallery, New York, NY
Selections from the Carnation Company Collection, The Armory Center for the Arts, Pasadena, CA
Black and White: Works on Paper, Linda Cathcart Gallery, Santa Monica, CA
Accrochage: 1985–1990, Michael Dunev Gallery, San Francisco, CA
Color in Art: American Expressions from the Mid-twentieth Century to the Present, Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL
Arnoldi/Stabilito, Kass/Meridian, Chicago, IL
The Painted Monotype, Michael Dunev Gallery, San Francisco, CA
The Unique Print: 70s into 90s, Museum of Fine Arts, Boston, MA
1989Art of the 80s from the Collection of Chemical Bank, The Montclair Art Museum, Montclair, NJ (catalogue)
Monoprints, Persons and Lindell Gallery, Helsinki, Finland
Selected Works from the Frederick R. Weisman Foundation, Wight Art Gallery, University of California at Los Angeles, Los Angeles, CA (catalogue); traveled through 1990
Three American Artists, The Works Gallery, Long Beach, CA
Contemporary Prints, Ochi Gallery, Sun Valley, ID
Visions of the Volcano, Volcano Art Center, Hawaii; also shown at The Contemporary Museum, Honolulu, HI
1988Art in Public Buildings, Phebe Conley Gallery, California State University at Fresno, Fresno, CA
Collaborations in Monotype: Garner Tullis Workshop, University Art Museum, University of California, Santa Barbara, CA (catalogue); also shown at Archer M. Huntington Gallery, University of Texas, Austin, TX, and The Cleveland Museum of Art, Cleveland, OH
Contemporary Masters, Richard Green Gallery, Los Angeles, CA
Contemporary Masters, Diane Nelson Gallery, Laguna Beach, CA
An Eclectic Eye: Selections from the Frederick R. Weisman Art Foundation, Bridge Center for Contemporary Art, El Paso, TX; traveled through 1990
40th Annual Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, NY
Imprimatur, Greenville County Museum of Art, Greenville, South Carolina; also shown at North Carolina Museum of Art, Raleigh, NC
Molten Metal, Gallery at the Plaza (Security Pacific National Bank), Los Angeles, CA
The 1980s: A New Generation, The Metropolitan Museum of Art, New York Professors’ Choice III, Montgomery Gallery, Pomona College/Lang Gallery, Scripps College, Claremont, CA
Sculpture: Works on Bronze, Carl Schlosberg Fine Arts, Sherman Oaks, CA
West Coast Contemporary, Stremmel Galleries, Reno, NV
1987The Anderson Collection: Two Decades of American Graphics 1967–1987, Stanford University Museum of Art, Stanford, CA (catalogue)
Cast in Bronze, University of Missouri–Kansas City Gallery of Art, Kansas City, MO
Contemporary Masters, Richard Green Gallery, Los Angeles, CA
The Early Show: California Art from the Sixties and Seventies, James Corcoran Gallery, Santa Monica, CA
15th Anniversary, 1972–1987, Flanders Contemporary Art, Minneapolis, MN
The Frederick R. Weisman Collection: An International Survey, San Antonio Art Institute, San Antonio, TX
Los Angeles Artists: Modern Masters, The Ruthven Gallery, Lancaster, OH
New Works, Charles Cowles Gallery, NY
Prints by Los Angeles Artists, Asahi Shimbun Gallery, Tokyo, Japan (catalogue)
Recent Works: Charles Arnoldi, Ron Cooper, Laddie John Dill, Sena Galleries West, Santa Fe, NM (catalogue)
39th Annual Purchase Exhibition, American Academy and Institute of Arts and Letters, New York, NY
1986Public and Private: American Prints Today, The Brooklyn Museum, Brooklyn, NY (catalogue)
Foundry/Process, St. John’s College, Santa Fe, NM, and North Dakota Museum of Art, Grand Forks, ND
Contemporary Art from Southern California, Art in Embassies Program, Helsinki, Finland
First Impressions: Recent Monotypes by 15 Artists, Allan Frumkin Gallery, New York, NY
Garner Tullis Workshop: Monotypes, Acme Art, San Francisco, CA (catalogue)
Garner Tullis Workshop: Monotypes, Galerie au Poisson Rouge, Vully, Switzerland (catalogue)
Recent Graphics from American Print Shops, The Mitchell Museum, Mt. Vernon, IL (catalogue); also shown at Laguna Art Museum, Laguna Beach, CA
ARCO Sculpture Garden Installation, The American Film Institute, Los Angeles, CA
70s in 80s: Printmaking Now, Museum of Fine Arts, Boston, MA (catalogue)
A Southern California Collection, Cirrus, Los Angeles, CA
Collector’s Choice Exhibition, Center for the Arts, Vero Beach, FL
Frederick R. Weisman Foundation of Art: Asian, Israeli and European Tours
1985Abstract Relationships, Charles Cowles Gallery, New York, NY
Basically Boxes, Klein Gallery, Chicago, IL
Basically Wood, Thomas Segal Gallery, Boston, MA
Contemporary Monotypes, The Gallery at the Plaza (Security Pacific National Bank), Los Angeles, CA
Paint and Print, Herbert Palmer Gallery, Los Angeles, CA
Sculptors and Their Prints, Herbert Palmer Gallery, Los Angeles, CA
Selected Works/The Frederick R. Weisman Foundation of Art, Art Center College of Design, Pasadena, CA
1984American Art from the Frederick R. Weisman Foundation Collection, San Francisco Art Institute, San Francisco, CA
Art and the Familiar Object, The Gallery at the Plaza (Security Pacific National Bank), Los Angeles, CA
Art of the States: Works from a Santa Barbara Collection, Santa Barbara Museum of Art, Santa Barbara, CA (catalogue
A Broad Spectrum: Contemporary Los Angeles Painters and Sculptors '84, Design Center of Los Angeles, Los Angeles, CA (catalogue)
California Sculpture Show, Fisher Gallery, University of Southern California, Los Angeles, CA (catalogue)
Contemporary American Wood Sculpture, Crocker Art Museum, Sacramento, CA (catalogue)
Current Expressions: Painting and Drawings, Fuller Goldeen Gallery, San Francisco, CA
Out of Square: View Point `84, Cranbrook Academy of Art Museum, Bloomfield Hills, MI
Sculpture at Art Center, Art Center College of Design, Pasadena, CA
Stars, Fuller Goldeen Gallery, San Francisco, CA
1983The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY (catalogue)
The Bay Area Collects, San Francisco Museum of Modern Art, San Francisco, CA
Charles Arnoldi and Laddie John Dill, Art Gallery, California State University at Fullerton, Fullerton, CA (catalogue)
Charles Arnoldi and Peter Alexander, Thomas Babeor Gallery, La Jolla, CA
Mizuno Gallery, Los Angeles, CA
Painted Object Painted, Herbert Palmer Gallery, Los Angeles, CA
Recent Work/Recent Gifts, Santa Barbara Museum of Art, Santa Barbara, CA
Sculpture, Pamela Auchincloss Gallery, Santa Barbara, CA
Selected Works, Thomas Babeor Gallery, La Jolla, CA
Selections I, Fuller Goldeen Gallery, San Francisco, CA
Summer Group Show, James Corcoran Gallery, Los Angeles, CA
The 38th Corcoran Biennial Exhibition of American Painting: Second Western States Exhibition, Corcoran Gallery of Art, Washington, D.C. (catalogue)
Valentines, Thomas Babeor Gallery, La Jolla, CA
Young Talent Awards: 1963–1983, Los Angeles County Museum of Art, Los Angeles, CA (catalogue)
1982Casting: A Survey of Cast Metal Sculpture in the 80s, Fuller Goldeen Gallery, San Francisco, CA (catalogue)
A Century of Modern Sculpture 1882–1982, Museum of Fine Arts, Houston, TX (catalogue)
Forgotten Dimension: A Survey of Small Sculpture in California Now, Fresno Arts Center, Fresno, CA (catalogue)
Texas Gallery, Houston, TX
L.A. Art: An Exhibition of Contemporary Paintings, Nagoya City Museum, Nagoya, Japan; also shown at Los Angeles Municipal Art Gallery, Los Angeles, CA
Painted Sculpture, Los Angeles Municipal Art Gallery, Los Angeles, CA
A Private Vision: Contemporary Art From the Graham Gund Collection, Museum of Fine Arts, Boston, MA (catalogue)
Summer Group Show, Robert Elkon Gallery, New York, NY
Works from the Collection of Security Pacific, Los Angeles Municipal Art Gallery, Los Angeles, CA
Works in Wood, Margo Leavin Gallery, Los Angeles, CA
1981
The Americans/The Landscape, Contemporary Arts Museum, Houston, TX (catalogue)
Artists’ Quilts, La Jolla Museum of Contemporary Art, La Jolla, CA (catalogue)
Decade: Los Angeles Painting in the Seventies, Art Center College of Design, Los Angeles, CA (catalogue)
Los Angeles Prints, 1883–1980, Los Angeles County Museum of Art, Los Angeles, CA (catalogue)
Polychrome, Hansen-Fuller-Goldeen Gallery, San Francisco, CA
Sculpture by Four, Robert Elkon Gallery, New York, NY
Robert Elkon–Two Decades, Robert Elkon Gallery, New York, NY (catalogue)
Selections from the Permanent Collection, San Francisco Museum of Modern Art, San Francisco, CA
1981 Biennial Exhibition, Whitney Museum of Art, New York, NY (catalogue)
1980Robert Elkon Gallery, New York, NY
University of Hartford, Hartford, CT
Painted Sculpture, Palo Alto Cultural Center, Palo Alto, CA
Summer Group Show, James Corcoran Gallery, Los Angeles, CA
1979Aspects of Abstract, Crocker Museum, Sacramento, CA
Dootson
Gallery Artists, Dobrick Gallery, Chicago, IL
Texas Gallery, Houston, TX
1978Elkon in Boston, Sunne Savage Gallery, Boston, MA
Stephen Wirtz Gallery, San Francisco, CA
Painting and Sculpture Today 1978, Indianapolis Museum of Art, Indianapolis, IN (catalogue)
Selections from the Frederick R. Weisman Company Collection of California Art, University Art Museum, California State University, Long Beach, Long Beach, CA (catalogue)
1976Texas Gallery, Houston, TX
Georgia State University, GA
Painting and Sculpture in California: The Modern Era, San Francisco Museum of Modern Art, San Francisco, CA (catalogue); also shown at the National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.
Painting and Sculpture Today 1976, Indianapolis Museum of Art, Indianapolis, IN (catalogue)
1975Drawings, Margo Leavin Gallery, Los Angeles, CA
Hecho en Mexico, Otis Art Institute, Los Angeles, CA
Exhibitions by Nicholas Wilder, University of Nevada at Las Vegas, Nevada
Selections from the R.A. Rowan Collection, Mount St. Mary’s College, Los Angeles, CA
Works on Paper, Robert Elkon Gallery, New York, NY
1974Fifteen Abstract Artists, Santa Barbara Museum of Art, Santa Barbara, CA (catalogue)
Museum of Modern Art, New York, NY
Texas Gallery, Houston, TX
The Sculptor as Draftsman, JRL Fine Arts, London, England (catalogue)
1973Drawings, Margo Leavin Gallery, Los Angeles, CA
Courtney Sale Gallery, Dallas, TX
Market Street Program, San Francisco Museum of Art, San Francisco, CA
New Works, Barbara Okun Gallery, St. Louis, MO
Ten Years of Contemporary Arts Council Acquisitions, Los Angeles County Museum of Art, Los Angeles, CA (catalogue)
The Wall Object, La Jolla Museum of Contemporary Art, La Jolla, CA (catalogue)
8e Biennale de Paris, Paris, France (catalogue)
1972Fifteen Los Angeles Artists, Pasadena Art Museum, Pasadena, CA (catalogue)
The Power Survey of Contemporary Art 1972, Power Institute of Fine Arts, University of Sydney, Australia; shown at the National Gallery of Victoria, Melbourne, Australia (catalogue)
Arnoldi/Cooper/McCollum/Wudl, Art Gallery, California State University, Fullerton, CA (catalogue)
Dokumenta 5, Kassel, Germany (catalogue)
Drawings: Arnoldi, Cooper, Dill, Betty Gold Gallery, Fullerton, CA
L.A. '72, Sidney Janis Gallery, New York, NY (catalogue)
Seventieth American Exhibition, The Art Institute of Chicago, Chicago, IL
Working in California, Albright-Knox Gallery, Buffalo, NY (catalogue)
1970Permutations: Light and Color, Museum of Contemporary Art, Chicago, IL (catalogue)
A Decade of California Color, Pace Gallery, New York, NY (catalogue)
Nine Artists, University of California at Irvine, Irvine, CA
PUBLIC COLLECTIONS AND COMMISSIONS
COLLECTIONS
Ackland Art Museum, University of North Carolina, Chapel Hill, SC
Albright-Knox Art Gallery, Buffalo, NY
Art Institute of Chicago, Chicago, IL
Berkeley Art Museum, University of California, Berkeley, CA
Boise Art Museum, Boise, ID
The Contemporary Museum, Honolulu, HI
The Dayton Art Institute, Dayton, OH
Denver Art Museum, Denver, CO
Guggenheim Bilbao, Bilbao, Spain
Samuel P. Harn Museum of Art, University of Florida, Gainesville, FL
Kemper Museum of Contemporary Art, Kansas City, MO
Laumeier Sculpture Park, St. Louis, MI
Los Angeles County Museum of Art, Los Angeles, CA
Memphis Brooks Museum, Memphis, TN
Menil Foundation, Houston, TX
Metropolitan Museum of Art, New York, NY
Miami Art Museum, Miami, FL
Milwaukee Art Museum, Milwaukee, WI
Museum of Contemporary Art, Chicago, IL
Museum of Fine Arts, Houston, TXv
Museum of Modern Art, New York, NY
National Gallery of Art, Sydney, Australia
Nelson-Atkins Museum of Art, Kansas City, MO
The Nevada Museum of Art, Reno, NV
The Newark Museum, Newark, NJ
The Norton Simon Museum, Pasadena, CA
Orange County Museum of Art, Newport Beach, CA
Palm Springs Desert Museum, Palm Springs, CA
Portland Art Museum, Portland, OR
San Diego Museum of Art, San Diego, CA
San Francisco Museum of Modern Art, San Francisco, CA
San Jose Museum of Art, San Jose, CA
Santa Barbara Museum of Art, Santa Barbara, CA
Seattle Art Museum, Seattle, WA
Smithsonian American Art Museum, Washington, D.C.
University Art Museum, California State University, Long Beach, CA
Frederick R. Weisman Art Foundation, Los Angeles, CA
Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ
COMMISSIONS
Wood relief paintings:
Continental National Bank, Fort Worth, TX, 1982
Hughes Corporation, Los Angeles, CA, 1985
State of California: State Office Building, San Francisco, CA (Art in Public Buildings Program), 1988
DC3 Restaurant, Santa Monica, CA, 1988
Bronze sculpture:
City of Beverly Hills, Beverly Hills, CA (outdoor installation), 1991
Canvas paintings:
101 Second Street (office building), San Francisco, CA, 1999
Renaissance Hollywood Hotel, Hollywood, CA, 2000
BIBLIOGRAPHY: BOOKS AND EXHIBITION CATALOGUES
Paradigms and the Unexpected: Modern and Contemporary Art from the Shey Collection, Gainesville, Florida: Samuel P. Harn Museum of Art, University of Florida, 2008.
Zakian, Michael. Charles Arnoldi: Wood, Malibu, California: The Frederick R. Weisman Museum of Art, Pepperdine University, 2008.
Contemporary Cool and Collected, Charlotte, North Carolina: The Mint Museums, 2007.
The First 80 Years, 1925–2005, Los Angeles: Los Angeles Art Association, 2005.
Paint on Metal, Tucson: Tucson Museum of Art, 2005.
Riquelme, Kathleen and Levick, Melba. The Studio Book, New York: Universe Publishing, 2003.
Made in California: Selected Works/The Frederick R. Weisman Art Foundation, Bakersfield: Todd Madigan Gallery, 2003.
Harmony of Line and Color, Charles Arnoldi, Busan: Busan Metropolitan Art Museum, 2002.
Radical Past: Contemporary Art & Music in Pasadena, 1960–1974. Pasadena: Armory Center for the Arts, 1999.
Carrier, David. Garner Tullis and the Art of Collaboration, New York, 1998.
Graphic Abstraction in America: A View from the First Century. Long Beach: California State University, Long Beach, 1998.
Open a Door. Honolulu: The Contemporary Museum, 1996.
Charles Arnoldi, A Mid-Career Survey: 1970–1996. Los Angeles: Fred Hoffman Fine Art, 1996.
Payden & Rygel Collection. Los Angeles: Payden & Rygel, 1996.
Between Reality and Abstraction: California Art at the End of the Century. Los Angeles: The Hillcrest Foundation, 1995.
Charles Arnoldi. New York: Charles Cowles Gallery, 1994.
The Art Collection of Pacific Enterprises. Los Angeles: Pacific Enterprises, 1991.
Soho at Duke: Five Artists from Charles Cowles Gallery. Durham, North Carolina: Duke University Museum of Art, 1991.
Charles Arnoldi. Osaka: Gallery Kuranuki, 1991.
Charles Arnoldi: Recent Monotypes from the Garner Tullis Workshop. New York: Pamela Auchincloss Gallery, 1989.
Selected Works from the Frederick R. Weisman Foundation. Los Angeles: University of California, Los Angeles, 1989.
Art of the 80s from the Collection of Chemical Bank. Montclair, New Jersey: Montclair Art Museum, 1989.
Charles Arnoldi: Painting and Sculpture, 1971–1988. San Francisco: Museo ItaloAmericano, 1988.
Collaborations in Monotype: Garner Tullis Workshop. Santa Barbara: University of California, Santa Barbara, 1988.
The Anderson Collection: Two Decades of American Graphics 1967–1987. Stanford, Calif.: Stanford University, 1987.
Arnoldi: Just Bronze. Long Beach, Calif.: California State University, Long Beach, 1987.
Prints by Los Angeles Artists. Tokyo: Asahi Shimbun Gallery, 1987.
Recent Works: Charles Arnoldi, Ron Cooper, Laddie John Dill. Santa Fe: Sena Galleries West, 1987.
The Art Collection–Federal Reserve Bank of San Francisco. San Francisco: Federal Reserve Bank of San Francisco, 1986.
Arnoldi: Recent Paintings. Kansas City: University of Missouri–Kansas City, 1986.
Charles Arnoldi, A Survey: 1971–1986. Chicago: Arts Club of Chicago, 1986.
Garner Tullis Workshop: Monotypes. Vully, Switzerland: Galerie au Poisson Rouge, 1986.
Public and Private: American Prints Today. Brooklyn: Brooklyn Museum, 1986.
Recent Graphics from American Print Shops. Mt. Vernon, Illinois: The Mitchell Museum, 1986.
70s into 80s: Printmaking Now. Boston: Museum of Fine Arts, 1986.
Bank America Corporation Art Program. Los Angeles: Bank America Corporation, 1985.
The Frederick R. Weisman Foundation of Art, Volume Two. Los Angeles: Frederick R. Weisman Foundation of Art, 1985.
San Francisco Museum of Modern Art: The Painting and Sculpture Collection. New York: Hudson Hills Press, 1985.
The Security Pacific Collection, 1970–1985: Selected Works. Los Angeles: Security Pacific Corporation, 1985.
Art at Work: The Chase Manhattan Collection. New York: E.P. Dutton, 1984.
Art of the States: Works from a Santa Barbara Collection. Santa Barbara: Santa Barbara Museum of Art, 1984.
A Broad Spectrum: Contemporary Los Angeles Painters and Sculptors '84. Los Angeles: Design Center, 1984.
California Sculpture Show. Los Angeles: California/International Arts Foundation, 1984.
Charles Arnoldi: Unique Prints. Los Angeles: Los Angeles County Museum of Art, 1984.
Contemporary American Wood Sculpture. Sacramento: Crocker Art Museum, 1984.
Frederick R. Weisman Foundation, Volume One. Los Angeles: Frederick R. Weisman Foundation, 1984.
The Irvine Company Collection. Newport Beach, Calif.: Irvine Company, 1984.
Olympic Arts Festival. Los Angeles: Los Angeles Times Syndicate, 1984.
The American Artist as Printmaker. Brooklyn: Brooklyn Museum, 1983.
Charles Arnoldi and Laddie John Dill. Fullerton, Calif.: California State University at Fullerton Art Gallery, 1983.
The 38th Corcoran Biennial Exhibition of American Painting: Second Western States Exhibition. Washington, D.C.: Corcoran Gallery of Art, 1983.
Young Talent Awards: 1963–1983. Los Angeles: Los Angeles County Museum of Art, 1983.
Casting: A Survey of Cast Metal Sculpture in the 80s. San Francisco: Fuller Goldeen Gallery, 1982.
A Century of Modern Sculpture, 1882–1982. Houston: Museum of Fine Arts, 1982.
Forgotten Dimension... A Survey of Small Sculpture in California Now. Fresno: Fresno Arts Center, 1982.
A Private Vision: Contemporary Art from the Graham Gund Collection. Boston: Museum of Fine Arts, 1982.
The Americans/The Landscape. Houston: Contemporary Arts Museum, 1981.
Artists’ Quilts: Quilts by Ten Contemporary Artists in Collaboration with Ludy Strauss. La Jolla, Calif.: La Jolla Museum of Art, 1981.
The Chicago Art Review. Les Krantz, ed. Chicago: The Krantz Company, 1981.
Decade: Los Angeles Painting in the Seventies. Los Angeles: Art Center College of Design, 1981.
Hopkins, Henry T. and Jacobs, Mimi. Fifty California Artists: A Critical Selection. San Francisco: Chilton, 1981.
The Los Angeles Art Review. Hank Baum, ed. Chicago: The Krantz Company, 1981.
Los Angeles Prints: 1883–1980. Los Angeles: Los Angeles County Museum of Art, 1981.
Robert Elkon–Two Decades. New York: Robert Elkon Gallery, 1981.
1981 Biennial Exhibition. New York: Whitney Museum of American Art, 1981.
The Dootson Collection. Seattle: Seattle Museum of Art, 1979.
The Museum of Drawers. Zurich: Kunsthaus, 1978.
Painting and Sculpture Today 1978. Indianapolis: Indianapolis Museum of Art, 1978.
Selections from the Frederick R. Weisman Company Collection of California Art. Long Beach,Calif.: California State University, Long Beach, 1978.
Painting and Sculpture Today 1976. Indianapolis: Indianapolis Museum of Art, 1976.
Painting and Sculpture in California: The Modern Era. San Francisco: San Francisco Museum of Modern Art, 1976.
Fifteen Abstract Artists. Santa Barbara, Calif.: Santa Barbara Museum of Art, 1974.
The Sculptor as Draftsman. London: JRL Fine Arts, 1974.
8e Biennale de Paris. Paris: Idea Books, 1973.
Ten Years of Contemporary Arts Council Acquisitions. Los Angeles: Los Angeles County Museum of Art, 1973.
The Wall Object. La Jolla, Calif.: The La Jolla Museum of Contemporary Art, 1973.
Arnoldi/Cooper/McCollum/Wudl. Fullerton, Calif.: California State University at Fullerton Art Gallery, 1972.
Documenta 5. Kassel, Germany, 1972.
Fifteen Los Angeles Artists. Pasadena, Calif.: Pasadena Art Museum, 1972.
L.A. '72. New York: Sidney Janis Gallery, 1972.
The Power Survey of Contemporary Art 1972. Sydney, Australia: Power Institute of Fine Arts, Universityof Sydney, Australia, 1972.
Working in California. Buffalo: Albright-Knox Gallery, 1972.
A Decade of California Color. New York: Pace Gallery, 1970.
Permutations: Light and Color. Chicago: Museum of Contemporary Art, 1970.
BIBLIOGRAPHY: ARTICLES AND REVIEWS
2008Devore, Kim. “Wonders in Wood,” The Malibu Times, January 10, 2008, pp. B1, B4.
2007Cheng, DeWitt. “Charles Arnoldi at Modernism,” Artweek, June 2007, Cover, pp. 13–14.
Cook-Romero, Elizabeth. “Arcs of Triumph,” Pasatiempo, July 6–12, 2007, pp. 34, 36.
Haldeman, Peter. “Venice, California: Bohemian Rhapsody,” October 2007, p. 212.
Turner, Nancy Kay. “Charles Arnoldi,” (review of Bobbie Greenfield Gallery), ArtScene (available on web archives), September 2007.
2006Dillon, Pam. “Chase Gifts Boon for Art Education,” Dayton Daily News, June 30, 2006, p. D16.
2005“Looking at the Big Picture,” The Los Angeles Times, October 6, 2005, p. E3.
2004Biller, Steven. “Dynamic Duo.” Palm Springs Life, December 2004, pp. 30-32.
2003Frank, Peter. “Art Picks of the Week: Charles Arnoldi/Werner Drewes.” LA Weekly, February 21–27, 2003, p. 134.
Ollman, Leah. “A Few Themes, Too Many Variations.” The Los Angeles Times, Feb. 7, 2003, p. E31.
_____. “Continuing: Charles Arnoldi.” The Los Angeles Times, March 2, 2003, p. E61. “Continuing and Recommended.” Art Scene, March 2003, p. 21.
2002Keeps, David. “Renaissance Hollywood.” Architectural Digest, May 2002, pp. 174–177, 251.
Sheets, Hilarie M. “New York Reviews: Charles Arnoldi.” ArtNews, January 2002, p. 119.
2001Bonetti, David. “Arnoldi’s Abstracts Invigorate.” San Francisco Chronicle, September 29, 2001, pp. C1, C4.
Johnson, Ken. “Art Guide–Galleries: Chelsea.” The New York Times, September 14, 2001, p. E28.
2000Goodrich, John. “Charles Arnoldi: Recent Works Charles Cowles Gallery,” Review, January 15, 2000, p. 15.
Johnson, Ken. “Art in Review.” The New York Times, January 7, 2000, p. E44.
Leffel, Caitlin. “SFAIE Gains Steam.” Art & Auction, September 2000, p. 131.
Margulies, Dany. “Tubular Tuber Man,” The Malibu Times, April 13, 2000, p. B1.
Vincent, Steven. “Whatever Happened To...?” Art & Auction, November 2000, pp. 168–177.
1999Clothier, Peter. “National Reviews: Charles Arnoldi at Chac-Mool,” ArtNews, April, 1999, p. 124.
Ise, Claudine. “Art Reviews.” Los Angeles Times, February 5, 1999, p. F25.
1998Kaplan, Peggy Hall. “Arnoldi Reigns in His Prodigious Imagination.” Malibu Surfside News, November 5, 1998, p. 21.
1997Bell, J. Bowyer. “Charles Arnoldi at Tony Shafrazi.” Review, February 15, 1997, p. 37.
Frank, Peter. “Art Picks of the Week.” (“Six L.A. Painters” at Tasende Gallery) LA Weekly, December 5–11, 1997, p. 158.
1996Frank, Peter. “Art Picks of the Week.” LA Weekly, July 19–July 25, 1996, p. 132.
Jaffe, Matthew. “Beyond the stereotypes in Venice.” Sunset, May 1996, p. 42.
Muchnic, Suzanne. “Charles Arnoldi at Fred Hoffman.” ArtNews, September 1996, p. 138.
Quinn, Joan Agajanian. “Charles Arnoldi.” Chatter, April 1996, pp. 38–39.
1995Finch, Liz. “What's On Guide.” The Argonaut, May 18, 1995, Cover photo, p. 19.
Frank, Peter. “Pacific-Pacific, Four + Four.” Prism/Arts of Pan-Pacific, Winter, 1995, Cover photo, pp.30–33.
Madigan, Nick. “Open-Door Policy.” The Outlook, May 18, 1995, pp. A1, A9-10.
Turner, William. “Chuck Arnoldi.” Venice, May 1995, pp. 77–80.
1994Miller, Hillary and Jocelyn Chi Fawaz. “a & a: Architecture & Art.” Traveler’s Journal, 1994, pp. 20, 23.
1993Muchnic, Suzanne. “LA Galleries: A Work in Progress.” Los Angeles Times, August 5, 1993, pp. F1, F9.
Waddington, Chris. “Innovation, illusion go well together.” Times Picayune, December 17, 1993, Lagniappe Section, p. 28.
1992Fishman, Ted C. “Material Issues: Charles Arnoldi at Klein Art Works.” The Reader, April 17, 1992, p. 29.
Goldberger, Paul. “Charles Arnoldi in Malibu.” Architectural Digest, March 1992, pp. 108–115.
Peterson, William. “Charles Arnoldi: New Linear Paintings.” Artspace, July/August 1992, p. 31.
1991Channin, Richard. “A Shift in Style: Charles Arnoldi at the Fred Hoffman Gallery.” Artweek, May 16, 1991, pp. 10–11.
Weissman, Benjamin. “Charles Arnoldi/Fred Hoffman Gallery.” Artforum, October 1991, p. 135.
Wilson, William. “Arnoldi’s Mid-career Re-emergence.” Los Angeles Times, May 3, 1991, Section F, pp. 14–15.
1990Daspin, Eileen. “Art Seen: Branching Out.” FAME, June–July 1990, pp. 72–73.
Eyerly, Alan. “Art for Earth.” The Argonaut, June 21, 1990, cover photo, p. 4.
Graaf, Vera. “Die Trend-Story: L.A. Style.” architektur & wohnen, February–March 1990, pp. 86–87.
Lineberry, Heather Sealy. “Charles Arnoldi.” Art of California, November 1990, pp. 41–45.
1989Barnett, Catherine. “California Split.” Art and Antiques, April 1989, pp. 49–50.
Berland, Dinah. “In harmonious and abstract praise of nature.” Long Beach Press Telegram, January 15, 1989, p. D2.
1988Curtis, Cathy. “Galleries.” The Los Angeles Times, May 27, 1988. Part VI, p. 18.
Rian, Jeffrey. “Charles Arnoldi at Charles Cowles.” Art in America, February 1988, pp. 142–143.
“Arnoldi Work Added to 20th-Century Department.” The Nelson-Atkins Museum of Art Calendar of Events, February 1988, p. 2 (cover photo).
“The 1980s: A New Generation.” The Metropolitan Museum of Art exhibition checklist, April 1988, p. 2.
1987Bulka, Michael F. “Charles Arnoldi.” New Art Examiner, April 1987.
Conrad, Barnaby. “Los Angeles: The New Mecca.” Horizon, January 1987, pp. 18–19.
Curtis, Cathy. “Arnoldi Branches Out to Bronze.” The Los Angeles Times, December 4, 1987, Part VI, p. 19.
Gardner, Colin. ”Galleries” (review of show at James Corcoran Gallery). The Los Angeles Times, March 20, 1987, part VI, pp. 13–14.
Goddard, Dan R. “The Art Mogul” (Frederick Weisman). The Sunday Express-News, San Antonio, September 13, 1987, pp. 1H, 7H.
Johnson, Patricia C. “Plentitude of Sculptures on Tap for Viewing Around Town.” Houston Chronicle, June 21, 1987, p. 19.
Ross, David. “Branching Out in ‘Just Bronze.’” Long Beach Press-Telegram, November 22, 1987.
Tuchman, Laura J. “Still Out on a Limb.” The Orange County Register, December 4, 1987, p. 54.
“Charles Arnoldi: Just Bronze.” WESTART, November 27, 1987, p. 9.
1986Baird, Barbara. “Walk of Art.” The Los Angeles Times, May 11, 1986, Part IX, pp. 1, 10.
Dubois-Dumee, Anne-Marie. “Un Micro-Isolato a Los Angeles.” Abitare, October 1986, pp. 224–233.
Hoffman, Donald. “Art Journal: Charles Arnoldi.” The Kansas City Star, November 2, 1986, p. 6D.
Klein, Hilary D. “Pamela Auchincloss and Garner Tullis, An Open Door to Art.” Santa Barbara, April–May 1986, p. 62.
Laurent, Amy. “Process.” Pasatiempo Magazine, April 27, 1986, pp. 19–20.
Weide, Terry. “Art is About Perfection.” University News (University of Missouri/Kansas City), Oct. 27, 1986, p. 14.
Wickstrom, Mary L. “Casting Around for Art.” The Santa Fe Reporter, April 16, 1986, p. 17.
1985Albrecht, Herbert. “Die Farbe hat die Plastik wieder.” Dit Welt, February 18, 1985.
Muchnic, Suzanne. “The Galleries.” The Los Angeles Times, January 4, 1985, Part VI, p. 9.
Raynor, Vivien. “Charles Arnoldi.” (Review of show at the Charles Cowles Gallery.) The New York Times, May 17, 1985, p. C21.
Stapen, Nancy. “The Wonder of Wood at Hub Gallery.” The Boston Herald, March 17, 1985.
Upshaw, Reagan. “Charles Arnoldi at Charles Cowles.” Art in America, September 1985, p. 138.
Winter, David. “Charles Arnoldi/Fuller Goldeen.” ArtNews, Summer 1985, p. 101.
Wilson, William. “The Art Galleries.” The Los Angeles Times, December 13, 1985, Part VI, p. 16.
1984Brumfield, John. “The Olympics California Sculpture Show.” Artweek, July 28, 1984, p. 1.
Geer, Suvan. “Charles Arnoldi and Laddie John Dill at California State University.” Images and Issues, January/February 1984, p. 16.
Jan, Alfred. “Charles Arnoldi at Fuller Goldeen.” Images and Issues, January/February 1984.
Los Angeles County Museum of Art Members’ Calendar, March 1984, no pagination.
Muchnic, Suzanne. “Painterly Power of Arnoldi Prints.” The Los Angeles Times, May 8, 1984, Part VI, p. 6.
_____. “Deja Vu in a Sculpture Garden.” The Los Angeles Times, June 25, 1984, Part VI, pp. 1, 4.
Roberts, Alison. “Wooden Images.” The Sacramento Union, Nov. 2, 1984, pp. D1, D4.
Wilson, William. “A Potpourri of California Sculpture.” The Los Angeles Times, June 17, 1984, Calendar Section, pp. 93, 97.
1983August, Lissa. “Western Artists Strut Their Stuff.” People, March 1983.
Atkins, Robert. “Art: Modern Painted Sculpture.” Architectural Digest, Aug. 1983, p. 112.
Flannigan, James F. “Western Artists Evoke Humor, Horror of the ‘New West.’” The Oregonian, Feb. 8, 1983.
Glueck, Grace. “Two Biennales: One Looking East and the Other Looking West.” The New York Times, Mar. 27, 1983, Section II, p. 35.
Jones, Gwen. “My Style.” (Interview with Charles Arnoldi.) Los Angeles Herald Examiner, Aug. 15, 1983, pp. C1–C2.
Kalil, Susie. “Art: Charles Arnoldi.” The Houston Post, Feb. 6, 1983, pp. 22F, 24F.
Knight, Christopher. “The Mystery of the Missing Art.” Los Angeles Herald Examiner, Sept. 18, 1983, p. E3.
Lewison, David. “The Unfamiliar Links Two Artists.” The San Diego Union, Dec. 15, 1983, p. C-10.
Pincus, Robert L. “Arnoldi and Dill: A Decade’s Thought.” The Los Angeles Times, Sept. 27, 1983, Part VI, p. 3.
Richard, Paul. “The Range of the World West.” The Washington Post, February 2, 1983, p. D1.
Wilson, William. “The Galleries.” (Charles Arnoldi at the James Corcoran Gallery.) The Los Angeles Times, March 25, 1983, Part VI, p. 15.
“Young Talent Awards, 1963–1983.” Los Angeles County Museum of Art Members' Calendar, July 1983, no pagination.
1982Johnson, Patricia C. “3 Running for Art Museum.” The Houston Post, May 20, 1982./p>
1981Crossley, Mimi. “Review in the Galleries.” The Houston Post, October 3, 1981.
Kalil, Susie. “American Landscape–Contemporary Interpretations.” Artweek, April 25, 1981, pp. 9–10.
Muchnic, Suzanne. “The Galleries.” The Los Angeles Times, December 18, 1981, Part VI, p. 12.
Tennant, Donna. “CAM Exhibit Samples Contemporary Landscapes.” The Houston Chronicle, April 16, 1981.
1980McDaniel, Wanda. “Art as a Social Investment.” Los Angeles Herald Examiner, October 15, 1980, p. D2.
Muchnic, Suzanne. “The Galleries.” The Los Angeles Times, October 3, 1980, Part VI, p.6.
Tennesen, Michael and Marks, Richard B. “Local Art Hits the Big Time.” Los Angeles Magazine, February 1980, pp. 114–122.
1978Frank, Peter. “Unslick in L.A.” Art in America, September–October 1978, pp. 85, 88.
Rubinfien, Leo. “Reviews.” Artforum, Summer 1978, pp. 75-76.
1977Frank, Peter. “New York Reviews.” ArtNews, Summer 1977, p. 175.
Wilson, William. “Art Walk.” The Los Angeles Times, November 18, 1977, Part IV, p. 8.
1975Frank, Peter. “New York Reviews.” ArtNews, Summer 1975, p. 136.
Hudson, Andrew. “Washington Letter.” Art International, June 1975, p. 92.
1974Ballatore, Sandy. “Charles Arnoldi's Mazes.” Artweek, March 2, 1974, p. 5.
Kessler, Charles. “Charles Arnoldi at Wilder.” Art in America, May–June 1974, p. 113.
McDonald, Robert H. “Contemporary Abstraction–South.” Artweek, February 23, 1974, pp. 1, 16.
1973Canavier, Elena. “Contemporary Art Council’s Acquisitions.” Artweek, January 13, 1973, p. 1.
Dunham, Judith L. “Market Street Program.” Artweek, August 4, 1973, p. 16.
Hagburg, Marilyn. “Schwitters & Collage.” Artweek, April 28, 1973, p. 1.
Montgomery, Cara. “Los Angeles Report.” Arts Magazine, May 1973, p. 53.
1972Plagens, Peter. “The Decline and Rise of Younger Los Angeles Art.” Artforum, May 1972, p. 80.
Schwartz, Barbara. “Letter from New York.” Craft Horizons, August 1972, p. 46.
“Young Southern Artists.” Artweek, March 11, 1972, p. 1.
1971Baker, Elizabeth C. “Los Angeles, 1971.” ArtNews, September 1971, pp. 28, 33–34.
Masheck, John. “New York.” Artforum, January 1971, p. 73.
1970Livingston, Jane. “Four Los Angeles Artists.” Art in America, September–October 1970, p. 131.
